Chorus: 'Gloria Patri'. Chorus: 'Omnes generationes' 5. PDF scanned by piano. Complete Score Nos. PDF typeset by arranger R. Creative Commons Zero 1.
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Magnificat anima mea Dominum. My soul proclaims the greatness of the Lord. Et exsultavit spiritus meus in Deo salutari meo and my spirit has exulted in God my saviour. Oboe d'amore I, Continuo. Quia respexit humilitatem ancillae suae; because he has regarded the lowly state of his slavegirl; ecce enim ex hoc beatam me dicent for look! Omnes generationes. Quia fecit mihi magna qui potens est, et sanctum nomen eius.
Et misericordia a progenie in progenies timentibus eum. Fecit potentiam in brachio suo, dispersit superbos mente cordis sui. He has made known the power of his arm, scattered those who are arrogant in the thoughts of their heart. Violini all' unisono, Continuo. Deposuit potentes de sede et exaltavit humiles. He has put down the mighty from their seats [of power] and raised up those who are lowly.
Esurientes implevit bonis et divites dimisit inanes. The hungry he has filled with good things, and the rich he has sent away empty.
Suscepit Israel puerum suum recordatus misericordiae suae. He has taken under his protection Israel his boy, and remembered his mercy. Sicut locutus est ad Patres nostros, in accordance with what he said to our fathers, Abraham et semini eius in saecula. Sicut erat in principio et nunc et semper As it was in the beginning and [is] now and always et in saecula saeculorum.
Note: Many translations of this text use familiar versions based on translations of the Greek text of Luke 1: This translation may seem different because it is intended to offer help to those who wish to follow the Latin and is therefore literal in some places and elsewhere expansive in making explicit the implications of some words. Harnoncourt BWV a - T. Hengelbrock BWV - P. Rifkin BWV - H. Rilling BWV - R. Shaw BWV - M. Suzuki BWV a - P. Home Page. Biblical quotations in green font , chorales in purple.
Aria [Soprano II]. Aria [Soprano I]. Aria [Bass]. Aria Duet [Alto, Tenor]. Aria [Tenor]. Aria [Alto]. Many translations of this text use familiar versions based on translations of the Greek text of Luke 1: Parallel Format of this translation.
It is scored for five vocal parts two sopranos, alto, tenor and bass , and a Baroque orchestra including trumpets and timpani. It is the first major liturgical composition on a Latin text by Bach. For a performance at Christmas he inserted four hymns laudes related to that feast. This version, including the Christmas interpolations, was given the number After publication of both versions in the 19th century, the second became the standard for performance. It is one of Bach's most popular vocal works.
Magnificat in D major, BWV 243 (Bach, Johann Sebastian)