An Actor Prepares is the diary of a fictional student named Kostya during his first year of training in Stanislavski's system. Kostya and his fellow students have little to no experience in acting. As they go through the class, Tortsov, their teacher and theatre director , addresses the many assumptions they have formed that do not coincide with the 'system'. Stanislavski relates his message with examples. He argues that his system is not a particular method, but a systematic analysis of the 'natural' order of theatrical truth. The system that he describes is a means both of mastering the craft of acting and of stimulating the actor's individual creativeness and imagination.
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About Konstantin Stanislavski. Konstantin Stanislavski. Constantin Sergeyevich Stanislavski was a Russian actor and theatre director. Stanislavski's innovative contribution to modern European and American realistic acting has remained at the core of mainstream western performance training for much of the last century. Building on the directorially-unified aesthetic and ensemble playing of the Meiningen company and the naturalistic staging of Antoine and Constantin Sergeyevich Stanislavski was a Russian actor and theatre director.
Building on the directorially-unified aesthetic and ensemble playing of the Meiningen company and the naturalistic staging of Antoine and the independent theatre movement, Stanislavski organized his realistic techniques into a coherent and usable 'system'.
Thanks to its promotion and development by acting teachers who were former students and the many translations of his theoretical writings, Stanislavski's system acquired an unprecedented ability to cross cultural boundaries and developed an international reach, dominating debates about acting in the West. That many of the precepts of his 'system' seem to be common sense and self-evident testifies to its hegemonic success. Actors frequently employ his basic concepts without knowing they do so.
Stanislavski treated theatre-making as a serious endeavour, requiring dedication, discipline and integrity, and the work of the actor as an artistic undertaking. Throughout his life, he subjected his own acting to a process of rigorous artistic self-analysis and reflection. His 'system' resulted from a persistent struggle to remove the blocks he encountered.
His development of a theorized praxis—in which practice is used as a mode of inquiry and theory as a catalyst for creative development—identifies him as the first great theatre practitioner. Stanislavski believed that after seeing young actors at Aquinas College in Moscow he could see why theatre needed to change to a more disciplined endeavour.
Stanislavski's work was as important to the development of socialist realism in the USSR as it was to that of psychological realism in the United States. Many actors routinely identify his 'system' with the American Method, although the latter's exclusively psychological techniques contrast sharply with Stanislavski's multivariant, holistic and psychophysical approach, which explores character and action both from the 'inside out' and the 'outside in'.
Stanislavski's work draws on a wide range of influences and ideas, including his study of the modernist and avant-garde developments of his time naturalism, symbolism and Meyerhold's constructivism , Russian formalism, Yoga, Pavlovian behaviourist psychology, James-Lange via Ribot psychophysiology and the aesthetics of Pushkin, Gogol, and Tolstoy.
He described his approach as 'spiritual Realism'. Books by Konstantin Stanislavski. As dedicated readers already know, some of the best and most innovative stories on the shelves come from the constantly evolving realm of young ad Read more Trivia About Un actor se prepa No trivia or quizzes yet.
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Un Actor Se Prepara
Un actor se prepara (Otros títulos nº 39)