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Online Music Conservatory. All rights reserved. Unauthorized use of any materials from this web site without a written consent from MVN is strictly prohibited. Table of Contents. Lead Techniques. Constructing The Bassline. Part 1. Part 2. Part 3. Part 4. Part 5. Part 6. Part 7. Part 8. Independence of Hands. Part 9. Building Finger Strength. Rhythmic Training. Improvising Melodies. Part Notes for playing lead are based on the Blues Scale.
Pitch-bending: from the 4th to the 5th. Play and hold the 4th and bend it to the 5th. Release the bend gradually to the original position to return to the 4 t h. Use the pitch wheel instead of of a mod. Bending from the 4th to the flat-5th. Bending from the 4th to the Perfect 5th. A Comparison. Bending from the 7th to the Octave. Bend into the 7th from the 6th. Use the 6th primarily for bending. The 2nd bending into the 3rd.
Close Voice-Leading Exercise. Close Voice-Leading, Exercise starting on first-inversion C. Accompaniment Patterns. Major Chords over Altered-Bass. In Example 1, F changes to C-Major chord, but the F root is kept, creating the major-9th dissonance between the bass and the G-note. In Example 2, Bb-chord is combined with the Eb octave in the bass instead of a Bb bass thus, Eb is an altered bass. Major Chords over Altered-Bass - possible combinations in the key of F.
Sus-Chords: comprised of the root, the 4th, and the 5th of the scale. Sus-Chords, Inversions. Currently under construction. Dm Scale is the relative minor of F-Major. Also use the "relative-minor" blues scale D Blues Scale.
Sliding from the 4th to the 5th Example 1 , from the 7th to the 8th Example 2. The Octave Interval top. Sample groove utilizing the octave bottom. The 5th Interval top. Sample bass-line using primarily the fifth and the octave bottom.
The 7th Interval top. Sample bass-line using the 7th, 5th, and the octave bottom. The Pentatonic Scale in E. Sample Bass Patterns. The bottom example also uses the 3rd and the 4th from the Pentatonic scale. We are sorry, this page is Under Construction. Walking-Bass Concept. Setting the bass pattern. Play the pattern slowly and steadily. Sample melody improvised over the the same bass-pattern. Melody is used in a scalular fashion.
Another melody improvised over the same bass-pattern. A new melody over a different bass-pattern. Other patterns you may try for your exercise at home.
Hanon Exercise. Hanon Exercise, little finger accented. Exercise 1. Exercise 2. Rhythm Method, using 5th, 4th, and 3rd fingers. Brahms Exercise chromatic. The previous exercise in mirror-image.
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The Global Source for Jazz
Keyboard Wizardry - Jordan Rudess
Jordan was extremely forthcoming with us as usual , sharing a vast amount of information. Though our schedule with Jordan was limited, we could have easily sat with him for hours or days in order to cover all that he has to share. As with all project beginnings, Jordan opened up the conversation explaining how he came about deciding on the path of his new solo CD. As Jordan commented,. With the consultation between Jordan and Magna Carta Records, the decision was solidified to make a compilation CD consisting of primarily remakes.
Jordan Rudess – Keyboard Wizardry
Jordan Rudess: Keyboard Wizardry on The Road Home