The series was continued in two volumes by writer Benjamin Legrand, replacing Jacques Lob, with The Explorers published in and The Crossing in A fourth volume, Terminus , was written by Olivier Bocquet and published in , as a conclusion to the series. A third volume, Terminus , was released in , followed by a prequel series in After an environmental catastrophe induces an ice age , humanity occupies a 1,car train called the Snowpiercer. As the story begins, a man named Proloff is quarantined after escaping from the rearmost cars, and is joined by a woman named Adeline Belleau: herself part of a movement to integrate the members of the back railway cars, who live in squalid conditions, into the rest of the train. Trying to rescue Proloff, Belleau is placed under quarantine with him.
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The graphic novel The Transperceneige and the movie Snowpiercer depicts societies forced to find refuge in a train after a climatic disaster. The train loses its function of transitional space to become a loco , the last habitable place on the planet. The disruptive movements of the tail-section revolutionaries towards the front are thus punctuated by multiple trials and rites of passages. Semiological and aesthetic features inherent to graphic novel and cinema layout of boxes and panels, recurring passages, editing, shots, slow motion, music, etc.
Mourant, ce dernier lui demande de prendre soin du train. Curtis choisit de faire exploser le train, et seule Yona et un queutard de cinq ans, Timmy, survivent. Stay focused. Lob et Rochette, , p. You belong to the tail. Ce mouvement produit la sensation de rapprochement, ou de zoom.
Yet, in his considerable insistence on slow motion, Joon-ho actually makes the audience more aware of the cinematic act. Interestingly, as the cinematic act slows down, the film approaches the aesthetic of the BD, in that it gives the audience time to digest what is happening.
Dima, , p. Or cet espace rappelle les camps de concentration Bocquet et Rochette, , p. Joon-Ho, Bong. Matz, Rochette Jean-Marc, Transperceneige. Crutzen Paul J. Foucault Michel, Surveiller et punir. Rabinow Paul dir. Paul, Le Transperceneige. Tessa Sermet is an assistant professor at Lake Forest College IL , where she teaches courses in French language and literature, as well as music and Portuguese.
After a Masters at the University of Geneva, she obtained her doctorate at the University of Wisconsin-Madison in Her research focuses on liminal spaces and spatial, ecological and bodily transitions in French and French-speaking science fiction, and more particularly in dystopian stories.
Transperceneige and Snowpiercer : figuration, liminality and transit ion spaces. Plan Mise en place. Le lecteur appr Haut de page. Navigation Chercher. Suivez-nous Flux RSS.